Carolee Schneemann papers, 1959-1994

ArchivalResource

Carolee Schneemann papers, 1959-1994

The archive documents Schneemann's performances, happenings, film and book production, and exhibitions from 1959-1994. It includes original materials relating to performances and publication projects in the form of notes, drawings, performance scripts and mss.; correspondence with visual, literary and performing artists, art critics, and other individuals prominent in the international avant-garde; printed ephemera, artists' books, and Fluxus objects by Schneemann and others; lecture notes and other materials pertaining to Schneemann as teacher and lecturer; research files on performance and feminist topics; mss. by others about Schneemann's work; and photograph albums which provide visual documentation of much of her performance work.

60.0 linear feet (123 boxes)

Information

SNAC Resource ID: 11615696

Getty Research Institute

Related Entities

There are 2 Entities related to this resource.

Fluxus (Group of artists)

http://n2t.net/ark:/99166/w67n0z04 (corporateBody)

Fluxus is an international and interdisciplinary group of artists, composers, designers and poets that took shape in the 1960s and 1970s, founded by artist Willem de Ridder. Dutch gallerist and art critic Harry Ruhé describes Fluxus as "the most radical and experimental art movement of the sixties". Fluxus is known for experimental contributions to different artistic media and disciplines. Fluxus is also known for generating art forms that were new when Fluxus artists created them. These art for...

Schneemann, Carolee, 1939-

http://n2t.net/ark:/99166/w68t5cwp (person)

Carolee Schneemann actively engaged in performance art, experimental film-making, the Fluxus movement and feminist theory in the 1960s-1970s. The artist is best known for the provocative use of her nude body to explore personal expression, sexual taboos and feminism in both multi-media performances and solo improvisational work. Born in 1939, Schneemann studied painting at the University of Illinois and Bennington College in the late-1950s. Her performance work evolved out of a desir...